AS BOYS

 

Cec Frazer Macky my brother and I

constructed intricate networks

of roads and tunnels in the autumn

after Skipper dug up the potatoes

where we drove our trucks, cranes, and tractors

 

we built snow tunnels so long and deep

we could ride toboggans through them

and snow forts like King Arthur's Camelot

 

we held daily endless competitions

to prove

 

who could walk furthest the narrow fence

around Billy Mercer's yard

 

who could spin up Lynch's Lane on a bicycle

all the way to Old Man Downey's house

 

who could climb highest in the alders

in Cec's backyard

 

who could dive from the highest place

in Margaret Bowater Park

 

we dreamed about Charles Atlas ads in comic books

stuffed jute bags for punching bags

and admired tough rough guys

who smoked and swore and got into fist fights

 

we pretended to be cowboys, soldiers, gladiators,

knights, conquistadors, pirates, flying aces

 

we hammered  and fired swords, shields, bazookas,

battering rams, sling shots, bows and arrows,

snowballs, and catapults, an arsenal

of weapons for fighting Nazis, Communists,

aliens from Pluto, and one another

 

and when a few weeks ago I saw

Cec for the first time in years,

now middle-aged like all of us,

we chuckled together shyly

and hid in dark corners of the Majestic

with Mark Wahlberg in Planet of the Apes

 

 

 

 

COULEES

 

not much flows in these coulees

except the cool dry wind

persistently claims ownership

refuses an easy hospitality

 

shrubs cacti grass

cling to the coulees

like a brush cut

that can't hide the scalp

 

the sky is a concave ocean

pulled toward the centre

of the universe always moving

 

prairie grass, sage and wild rye:

no sage would try to name

all the things that grow in these coulees

 

a coyote writes lines in the wind,

reminds me I cannot

both see and write, and still

I write in order to see

 

like a gopher, a poet digs

an intricate map

of subterranean lines

with holes for popping up

 

I see the shadows of birds

but I cannot see the birds

 

the sun soothes with the wind

woos me into sleep

leaves me woozy even

 

I dwell in the coulee that does not flow,

this dry, arid coulee where cacti flame

 

I wait for the coyote

I write nothing

 

perhaps writing will come

in February when I am far away

 

flowing with the lines of sun

and trails and gopher hollows

and the roots of cacti

 

succulents can find water

where there is none,

suck the dry earth

like an orange sucks my dry mouth

 

Carl Leggo

 

BIOGRAPHICAL BLURB:

 

Carl Leggo is a poet and an associate professor in the Department of Language and Literacy Education, and the Graduate Advisor in the Centre for the Study of Curriculum and Instruction, at the University of British Columbia where he teaches courses in writing, curriculum, and narrative research. His poetry, fiction, and scholarly essays have been published in many journals. He is the editor of English Quarterly, and the author of

Two collections of poems, Growing Up Perpendicular on the Side of a Hill (Killick Press, 1994) and View from My Mother's House (Killick Press, 1999), as well as Teaching to Wonder: Responding to Poetry in the Secondary Classroom (Pacific Educational Press, 1997). His new book of poems, I Do Not Find It Easy to Be a Human Being, was recently sent to the publisher.  He is this year's recipient of the Sam Black Award for Distinction in Education and the Visual and Performing Arts.

 

He lives joyfully with his wife, daughter, and son in Steveston near the Fraser River.