``I hope you will allow me a few remarks about `Requiem' as I see it.  The stanza form itself is a model of the theme: the `hurricane stanza' is as unlikely to be copied as the contents of the poem are unlikely to be matched.  After writing this poem, I never worried one more instant about the threat of nuclear war.  In my mind, I had seen through the game that the gods were playing with the human collective unconscious, and had simply abolished them from my being.

 You will recognize the strong influence of Milton in the poem, and perhaps a little of   E. J. Pratt.  It says `no' to T.S. Eliot and Earle Birney.  It says `yes' to an affirmation of the human condition.  Brave thoughts like `Man who from this mystery unfurled a gossamer of meaning and a world, to fling a web of thought amazed across the infinite' were not being voiced anymore.  This poem was my private resounding rebellion against what I saw as a collective disintegration. ''

                                    Les Wagar, Red Deer, Alberta

 

                                    Requiem: transcript of a subliminal mass

 Deep in the swirling circle of the storm

there is a leaden eye where no wind blows

and time spins to a stop:

            the minute-hand of action waits,

            the pendulum hangs poised;

but no impulsive works of impotent men

will dull one fury of the looming hour

or brake one moment of its drop.

 

Northward, swept by the hiss of centuries,

where white wastes wallowed out to whiter skies

and Earth rocked on her pole,

            a radar camp outlined the snow;

            a radome platform creaked:

here, shot from humming pods of fretted steel,

a pulse of semi-automated mind

rang on invisible patrol.

 

Five miles beyond a near dove under, shattered

pack and rubble of a freezing ledge

and threw itself ashore;

            taut on the scentless gale he posed,

            then straightening southward, fled.

computing through torn claw and ice the track

of dread propellers churning underfoot

along the Arctic floor.

 

Racing electronics down the continents,

quick panic rippled out a prescient sea

of nerve:  galvanic thrill

            stampeded herds of caribou

            along the tundra ridges,

bellied wolverine among the pine,

flew down rain forest on the rump of deer,

left gopher chattering, until

 

a lizard sleeping in the desert sun

unshuttered one slow eye to see what, then

leaped sideways twice and died:

            his private hill crushed back on him;

            the fatal countdown stopped.

Climbing the air, a thousand bombs burst space

at pre-impressed velocities, and launched

their long, inevitable glide.

 

The curve of her celestial ellipse

Earth endlessly composed, half dark, half light,

at her majestic pace;

            beyond in splendour rolled the stars;

            while here, computer-based,

all circuits clear, their new Prometheus

punched out in coded, electronic shocks

the final hubris of a race.

 

From two caves carved in Plutonian shield

beneath two deserts, East and West, encased

in concrete overthrow

            on steel Hell-bent for megatons

            of thermonuclear pressures;

challenging the Universe by force,

this time, of secret sub-atomic fire

from the Suns, effect unknown,

 

unconquered and unconquerable yet,

he freed his eager miracles for war.

Tartarean armories,

            harnessed in lockstep at command,

            blazed rockets to the air.

And now sub-orbital flew rank on rank

and name by name a pantheon of man's

subliminal mythologies:

 

globe-cursing Atlas, shouldering the world,

and Minuteman whose oath transfigured it,

forefathers of revolt,

            now classified ICBM,

            inertial guided, range

eight thousand miles, vertex at apogee

one hundred, warhead hydrogen, presumed

to blot one city at a bolt;

 

and cold Polaris, guardian of Night,

and Jupiter that braced the shields of Rome,

and Thor, crude Viking Thor,

            whose thunder rang on seven seas,

            now stamped IRBM,

perimeter and submarine deployed,]

range intermediate, quantity produced

for mass retaliatory war;

 

and Nike squadron: Hercules who stormed

the syndicates of Hades once, again

atomic, thermo-fused,

            the strato-bomber intercept;

            and elemental Zeus

who toppled Titans from Olympus, born

the anti-missile missile, that same Zeus

who held Prometheus accused

 

in treason once before.  All these and more

flamed now to terminal velocities:

each one identified,

            plotted by radar on a screen,

            its counter-strokes applied.

And as they fell, exploding Earth and air,

in one slow cumulative holocaust

Hell melted, and Prometheus died.

 

Man, who from his mystery unfurled

a gossamer of meaning and a World

to fling a web of thought

            amazed across the Infinite,

            curled inward, and grew old;

the stars, the galaxies, the speed of light,

the living abstract of his Universe,

and ever miracle it caught,

 

collapsed in swift retreat of consciousness

down blurred processionals of day and night

where fire demon ran

            the witching skies instead of sun,

            and dragons rose again

to rumble in the caverns of the earth;

and downward hurled, until at twilight's end,

silent, the long abyss began.

 

Down in the quiet crucible of storms,

down in the primal deep where no winds blow

and time dreams to a stop,

            the minutes-hand of action waits,

            the pendulum hangs poised...

O God, tell us what perfect works of men

will break the circle of that looming hour,

annul the moment of its drop.

 

                                                            Les Wagar

 

Chrysalis

 

 I say you are not there

and look that you are not

and seeing you

knew all the time you were

 

I say you are not here

and tell love stop

and turn away

yet singing know you near

 

I say you are not here

nor there nor anywhere

 

Except where I may be

is where you are

and when you are I am

and there you are

 

I say you cannot be

yet still you come

 

Like rain upon the nightroof of my mind

all soft and pattering and warm

and gather in the eaves of some imagining

and pour down drains of dream

and drench the earth

where I die bursting there

where I live bursting there.

                                                Les Wagar